[02:34] You often talk about the binary and the organic. Aren’t they opposites?
Not really. Push a binary system far enough and it starts producing ambiguity. What we call “organic” is often the result of unstable computations.

[02:36] You treat the Rotring almost like a sacred object. Why?
High pressure = overload.
Low pressure = absence.
The right flow is rare — and that makes it valuable.
(And it’s quieter than a keyboard.)

[02:38] Why Analog Chrysalid? Sounds like a post-punk insect.
A chrysalid is structured compression before emergence.
Analog suggests blur, instability.
Together, they define an uncertain form.
The insect metaphor works.

[02:42] You mention the Amstrad CPC 6128 and the Atari 520 STE. Is that nostalgia?
Not at all. Just efficient formats.
64K is enough to build a world.
Now I do the same — with a sheet of paper.

[02:45] Your work — circuit diagrams or star maps?
They’re attempts to visualize the logic behind code.
Mental maps of algorithms in motion.
Visual translations of digital systems at work.

Série n°01 : Chrysalde Analogique

Analog Chrysalis captures the moment when the algorithmic structure begins to crack. Each line becomes a fragment of hybrid language, between machine memory and instinctive gesture.

[02:49] Do you plan your drawings or let your hand drift?
I plan, then disrupt.
The bug is built into the protocol.
It’s not a mistake — it’s a function.

[02:51] You often talk about mutation. Is it evolution? Drift? Contamination?
Cross-contamination.
My tools change me as much as I change the surface.
Eventually, I no longer know who’s in control.

[02:53] That feedback loop — are you trying to lose yourself in the process?
Not trying to, but I don’t resist it.
The tool acts on me as much as I act on it.
It’s a continuous interaction. A co-evolution.

[02:56] When you draw, do you still think like a computer scientist?
Always.
The hand follows a slow, silent algorithm.
Only the execution platform has changed —
Paper is now my interface.

[02:59] Last productive insomnia?
30/03/25 _ 03:17–06:04: one piece.
Accelerated processing.
No revision. Everything stayed.
Night silence brings unexpected clarity.

[03:02] So, what is an artwork to you — image, signal, message?
A transmission — with loss, drag, and delay.
Noise is part of it.
The receiver is optional. Maybe even irrelevant.

[03:04] Name three artists who shaped or influenced you.
Éric Chahi, Akira Nishitani, Rémi Herbulot.

[03:05] End.